March 21 Happy Birthday Neil Rosenberg

Happy Birthday Neil Rosenberg born, March 21, 1939, a native of the western United States, he has a BA in History from Oberlin College and the MA and PhD in Folklore from Indiana University. He is Professor Emeritus of Folklore at Memorial University of Newfoundland, where he taught from September 1968 until his retirement in September 2004. Rosenberg specialized in the study of contemporary folk music traditions, investigating the ways in which popular music interacts with local and regional folk music traditions, and examining processes of cultural revival.
He conducted research in Canada and the United States, focusing upon the lives and music of professional, semi-professional and amateur old-time, bluegrass, country and folk musicians. A performing musician since childhood, Rosenberg utilized his skills and experiences in bluegrass, country, folk, jazz, classical and experimental music to gain a closer understanding of the processes he studied.
His books include Bluegrass: A History (1985), the definitive work on that form of music, which was reprinted with a new preface for its 20th Anniversary Edition in 2005. Other books include Transforming Tradition(1993), a collection of studies on North American folk music revivals; Bluegrass Odyssey: A Documentary in Pictures and Words(2001) co-authored with photographer Carl Fleischhauer of the Library of Congress; and The Music of Bill Monroe (2007), co-authored with Charles K. Wolfe. He has published over seventy-five articles and review essays. In 1981 he originated the column “Thirty Years Ago This Month” in Bluegrass Unlimited, and wrote it until 1993.
Formerly Recorded Sound Reviews Editor of the Journal of American Folklore, he has edited and written notes for many recordings, including a contribution to the brochure for the Smithsonian/Folkways reissue of Harry Smith’s Anthology of American Folk Music for which he won a 1997 Grammy Award. His notes for Compass’s Noam Pikelny Plays Kenny Baker Plays Bill Monroe won the International Bluegrass Music Association’s “Best Liner Notes” award in 2014.
Rosenberg is a Fellow of the American Folklore Society, recipient of the Marius Barbeau Medal for lifetime achievement from the Folklore Studies Association of Canada, and a member of the International Bluegrass Music Hall of Fame.
In 2004, Rosenberg’s friends and colleagues from the worlds of folklore studies and bluegrass music honored him with a collection of their essays and articles in the book Bean Blossom to Bannerman: Odyssey of a Folklorist. Edited by Martin Lovelace, Peter Narváez and Diane Tye, this MUN Folklore and Language Publication includes a brief biography of Rosenberg and a full bibliography of his writings.
In 2014 Memorial University University Libraries created the Neil V. Rosenberg Collection, consisting of periodicals and other materials from his private research library. For details, click here: http://www.library.mun.ca/asc/specialcollections/collections/rosenberg/

Bluegrass Generation: A Memoir by Neil Rosenberg
Posted on January 4, 2018 By Richard Thompson

The prospect of another book written by eminent bluegrass music historian Neil V. Rosenberg always thrills. Having to wait until June this year doesn’t so much.
Rosenberg’s forthcoming Bluegrass Generation: A Memoir relates his experiences during the period from 1961 to 1963 when he began working for the father of bluegrass music, Bill Monroe, at his country music park, the Brown County Jamboree, in Bean Blossom, Indiana.
A banjo player himself, the topic of instruments is a recurrent theme in the book; no surprise given the intense interest bluegrass musicians have in the tools of their trade! Rosenberg isn’t an exception it appears.
We spoke to Rosenberg recently and he shared this anecdote; while not an extract from his book, still an early taster of what readers may come to expect from it ……
“In the early sixties I became involved in buying, repairing, and selling instruments. In the book I tell about an early 1900s Gibson F mandolin with a broken neck that John Duffey repaired for me. While I was without that instrument I purchased a used 1933 Gibson Century of Progress A-style mandolin. It was the first of several mandolins that I took to Bean Blossom and showed to Bill. He always tried them out and gave me his opinion. He praised that Century. I liked it too but I couldn’t afford to keep it — traded it for a stereo.
A few days ago while sorting my instrument catalog files I discovered a document I’d forgotten about that pertains to the Century mandolin. It’s flyer [a PDF] that I acquired in August 1961.
While visiting family in Norwich, Vermont, I discovered a music shop just south of town in the village of Wilder. It was in a small free-standing building, as I recall. The owner of the business, Mr. Goodrich, was in his seventies. He told me he’d been a Gibson dealer since before the First World War — 1912 is the date that comes to mind. He showed me the F4 mandolin the company had given him when he started. Well cared for, it showed signs of wear from regular use.
As I relate in the book, he had two instruments for sale. When I bought one of them (the Century A-style) I picked up a few of his flyers as I left the store. I was into collecting documents, and even in 1961, these looked like antiques. The flyer was printed on very thin newsprint stock — a single 7 ¼ by 11-inch sheet, printed on both sides and folded to make four pages.
Page one, which has the owner’s name and address, states that he has ‘Twenty-five Years Experience’ so if he did indeed start in 1912, this document was probably printed in the mid-1930s. It’s filled with illustrations of pre-war Gibson instruments and ads that will be familiar to anyone who has looked at early Gibson catalogs. I suppose Gibson printed these flyers for him, as a part of his dealership arrangement.”
This document, along with other instrument documents, is now part of Rosenberg’s collection in the Memorial University Libraries’ Neil V Rosenberg Collection.



The official book promotional publicity relates …..
“Rosenberg met the legendary Bill Monroe at the Brown County Jamboree. Rosenberg’s subsequent experiences in Bean Blossom put his feet on the intertwined musical and scholarly paths that made him a pre-eminent scholar of bluegrass music.
Rosenberg’s memoir shines a light on the changing bluegrass scene of the early 1960s. Already a fan and aspiring musician, his appetite for banjo music quickly put him on the Jamboree stage. Rosenberg eventually played with Monroe and spent four months managing the Jamboree. Those heights gave him an eyewitness view of nothing less than bluegrass’s emergence from the shadow of country music into its own distinct art form. As the likes of Bill Keith and Del McCoury played, Rosenberg watched Monroe begin to share a personal link to the music that tied audiences to its history and his life, and helped turn him into bluegrass’s foundational figure.
An intimate look at a transformative time, Bluegrass Generation tells the inside story of how an American musical tradition came to be.”
And Del McCoury is quoted as saying …..
“Reading Bluegrass Generation was an enjoyable reminder of my time at Bean Blossom as a Blue Grass Boy. It brought back a lot of memories and reminded me of a few things I’d forgotten, too—and I even learned some things I never knew!”
To be published by the University of Illinois, Press Bluegrass Generation – release date May 15, 2018 (according to Amazon.com) – the launch is scheduled to be in June at the International Country Music Conference (ICMC).
Bluegrass Generation: A Memoir
University of Illinois Press
From the series Music in American Life
256 pages
33 black and white photographs
6 x 9 inches
ISBN-10: 0252083393
ISBN-13: 978-0252083396
The 35th Annual International Country Music Conference takes place from Thursday, May 31 through to Saturday, June 2, 2018, at Belmont University in Nashville.

About the Author

Richard Thompson
Richard F. Thompson is a long-standing free-lance writer specialising in bluegrass music topics. A two-time Editor of British Bluegrass News, he has been seriously interested in bluegrass music since about 1970. As well as contributing to that magazine, he has, in the past 30 plus years, had articles published by Country Music World, International Country Music News, Country Music People, Bluegrass Unlimited, MoonShiner (the Japanese bluegrass music journal) and Bluegrass Europe. He wrote the annotated series I’m On My Way Back To Old Kentucky, a daily memorial to Bill Monroe that culminated with an acknowledgement of what would have been his 100th birthday, on September 13, 2011.

About the author

I enjoy researching Bluegrass, Bluegrass Gospel, and Country birthdays, anniversaries and interesting trivia dates. I am a piano/organ performance major who has taught privately and served as church accompanist since 1968 in North Carolina and Central Kentucky. Although classically trained, I appreciate all genres of music. My mother, who was also a church musician and taught public school music grades K-12, knew that Bluegrass music was the purest American music. She always introduced her students to this fine genre and began my musical studies with her at age 2. Bach to Berachah Valley, Mozart to Jimmy Martin, Sibelius to Stanley Brothers, the list goes on, I hope you find some moments of enjoyment and learn a few interesting facts along the way.
I am thankful for the many resources we have at our fingertips including Google. FaceBook and BluegrassBios by Wayne Rice. It was he who inspired me to tackle the task of trying to pass on knowledge about Bluegrass music. Thanks Wayne~!
Lou Ellen Wilkie

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.